The Lie-In

Good morning, videogames. We did it. We made it through the first week of Brendy's paternity leave and Jank did not immediately crumble. Sure, you might save some empathy for Brendy and his partner, exhausted as they no doubt are, but Jonty and I are the true casualties here. We are the Timon and Pumbaa of Jank, our trio's down to two, and the blog won't fill itself. Let's lift the log of the internet and see if we can find some slimy yet satisfying writing about videogames underneath.

I remember following the Nakatomi Plaza mod for Half-Life way back when, but had completely forgotten that it got turned into a full retail game, and had never connected that its developers went on to make the modern MechWarriors. Rick Lane tells the story for PC Gamer, which includes plenty of twists and turns.

Holtslander, however, says that he called Fox Interactive, and that the plan was not to persuade them to let the modders make a Die Hard game, but simply to allow them to use the assets they'd created to make something else. "I got connected to somebody there and I started my spiel," he says. "I was saying

Good morning, videogames. I'm a few hours late posting this today because, frankly, I was too tired last night to face putting it together. I am doing it now, on Sunday, squeezed between familial appointments. You may be doing similarly as you read this, a collection of fine writing about videogames from across the past week.

Over at Ars Technica, Kyle Orland spoke to some of the players who bought into and lost money on Legacy, Molyneux and 22cans' short-lived web3 game.

In addition to Molyneux’s usual game design bluster, though, was a newfound enthusiasm for the idea of making money from simply playing a game. “And because it’s a blockchain game, you earn,” Molyneux said at Galaverse, leaning on the last word for emphasis. “For a game designer, imagine how exciting it is to know that a game design that you’ve been working on, people will be earning money with it!”

MindsEye developers Build A Rocket Boy said that the game's DLC would contain real "evidence" of sabotage committed against them and their game. For Polygon, Giovanni Colantonio went looking.

Like MindsEye itself, all of this is painfully stupid. Blacklisted is a petty diss track that

Good morning, videogames. Sometimes, especially in the quiet weeks, I'll include articles in The Lie-In that aren't exemplary works of prose, but which I still hope have some broader worthwhile point or which might generate an interesting discussion. All the same, let's see if I can manage to avoid accidentally linking to something AI-generated this week, eh?

Abram Buehner laments people playing Tomodachi Life for the benefit of the algorithm rather than for their friends. I'm not sure I believe there's any wrong way to play Nintendo's madlibs 'em up, but this is about a subculture that otherwise hasn't come across my social media feed.

That didn’t go over well. The breathless replies argued that to put your real friends into the game was to cross a social boundary, to subject them to the vulgar, wild sandbox of Living the Dream. Of course, I’m paraphrasing, since the actual replies were more along the lines of “I’m not putting my IRL friends into the yaoi simulator lmao.” To believe this is to assume Tomodachi Life must be a site of depravity, and that your loved ones are undoubtedly sucked into an irony-poisoned vortex of MadLibs provocation if they’

Good morning, videogames. I read less than normal this past week, which I will pin on my being busy, but I still have several worthy articles for you. And then I reached deep into the recesses of my memory to hoist out something old and forgotten, alongside a little sermon. Read on.

I wrote something recently - here, I guess? - about loving Gamespy's pre-release developer diaries for the original Black & White, which were written by the team themselves. For Eurogamer, Lewis Gordon interviewed some of those original developers about the creation of the game's creature AI. I would not trust Molyneux's self-mythology, and yet I delight in reading anything about this particular game. A conundrum.

The creature, which set Evans on a trajectory from the Lionhead office in Guildford to the rarefied corridors of Google DeepMind in London, began as just a few simple scribblings by Molyneux on a piece of A4 paper. "I thought, let's do a game with an AI agent in it," says Molyneux, toking intermittently on a vape from the office of his current studio, 22Cans. "We wanted to explore the idea of morality, and focus that morality through this entity - the creature.

Good morning, videogames. The Brighton marathon is taking place today. I'm not running in it, but I will be doing something much harder: crossing the road while it takes place. Before I'm trampled to death by thousands of angry people in shorts, let's consider some of the best writing about games from across the week.

For Kotaku, Zack Zwiezen asked a flock of developers how pausing works in their games.

“In most of the Vlambeer games and Minit / Disc Room,” said developer Jan Willem Nijman, “I take a screenshot (with the UI disabled), then either jump to a completely different empty room or deactivate everything... with that screenshot as the background, [and] on unpause jump back [to the game]. Sometimes there’s a 1-frame delay because that screenshot needs the UI disabled.”

Ashley Day wrote about the experience of going back to Super Mario 64, 30 years later, to finally get those 50 bonus stars.

I’ve known for years that your reward for doing so is to meet Yoshi on the roof of the castle and receive 100 extra lives from him, but I always thought that was a bit pointless. After all, why would you need all those

Good morning, videogames. If you're reading this, then you've survived both the clocks going forward and April Fool's day, two events designed explicitly to kill the exhausted and the middle-aged. Your reward is this long weekend of rest, relaxation and reading about some of the best writing about videogames from the past week.

It was nice of PC Gamer to write some fan fiction about us, with Jeremy Peel producing an ode to eurojank, both the "wonky yet wonderful projects of yesteryear, and their modern successors".

In the same way, ‘eurojank’ is an insult well-meant. On the face of it the term appears to condemn a whole continent's games as laughably buggy and low-budget. But speaking as a proud European, who has had the privilege to spend their working life flying to Frankfurt and Ghent and Uppsala to meet studios punching above their weight, I can tell you that eurojank—a term thrown around often in PC gaming circles in the early 2010s—is a byword for ambition.

Games like Balatro, Luck Be A Landlord and Raccoin don't literally let you bet your money away, but they and many other games have used gambling as inspiration for everything from aesthetics

Good morning, videogames. As I write this, on Saturday evening, my son has just fallen asleep as I read him the closing chapters of The Hobbit. I don't take this personally. It's the first time either of us has read the book, and I think he's enjoying it, but there is perhaps nothing greater than lulling your child to sleep with a story. As you read this roundup of some good writing about videogames on Sunday morning, may you also drift off for another peaceful slumber.

Aftermath have been publishing up a storm with the delightfully named Woke Week, a "week of stories celebrating Woke 2". There were more interesting articles than I've yet had time to read, so I'm going to pick three. You should start with Gita Jackson's take on what Woke 2 means to her.

In this first version of wokeness, I wasn’t nearly as skeptical of figureheads and corporations co-signing social movements as I needed to be. I had this unshakeable belief that justice would emerge in the end, that people would do the right thing just because it was the right thing to do. I trusted companies, I put my faith in people who

Good morning, videogames. What a week it has been for blog posts. There have been good blogs, bad blogs, new blogs, and much discussion thereof across the internet. It's enough that you could begin to trick yourself into thinking that games media is healing, although I suspect this is in reality a consequence of its recent fragmentation. In any case, I am pleased to be able to link to so many independent writer-owned sites, of one kind or another, in the below roundup of good writing about videogames.

Duncan Fyfe wrote about lore for Remap by looking at the Elder Scrolls series, and talking to its fans and many of its writers about the often haphazard, contradictary way its world has been constructed, for better and worse.

During a dispute with his boss that a colleague remembered as about whether the world of The Elder Scrolls could accommodate Amazon women, Goodall quit the company. “I loved the original Elder Scrolls too much to stop arguing in their favor,” he said later. He had approached The Elder Scrolls full of zeal for the world and conviction in the stories that took place there. He had come into the world factory armed