What you should play this weekend

Tell us what you are playing in the comments

The weekend approacheth, which means a long languorous release from work for some, and brief stolen moments of respite for those with young children (hi). Either way, you may choose, as we do, to fill your downtime with videogames.

Here's what you should - or at least, could - be playing. Tell us what you actually are in the comments.

A person dives while swinging a sword as the player fires akimbo pistols at them.
Best take your keys out your pockets before you land on them mate.

Out Of Action

This cyberpunk first-person shooter seems less like the live service hero shooters of the moment, and more like the Half-Life mods of my youth. A bit Action Half-Life, a bit NeoTokyo, as you bumslide, back-dive and bullet dodge in PvP shootouts. It's also got an offline mode and promises "deep progression", so not strictly retro, but one for the lovers of ghosts and/or shells.

Two sad robots look at each other in MIO: Memories In Orbit.
You can tell these robots are sad, yes?

MIO: Memories In Orbit

I've become a metroidvania guy in recent years, which is unfortunate because most of the genre's best entries are behemoths that take 30 hours or more to finish. MIO, which released a little over a week ago, is getting lots of praise but apparently won't take me

Three game devs climb a mountain - part 3

They still haven't eaten each other, at least

Holly Jencka stuffs girl scout cookies into Bennett Foddy's mouth. She turns and marches on, looking at a rickety-looking rope bridge ahead of us.

"Okay," she says. "We should only do this bridge one at a time... because they have a tendency of collapsing."

We make it over one by one. If we'd tried crossing all at once the bridge would possibly give way under the combined weight of our cartoonishly large heads. It's good to have Holly here, someone who has played Peak more than the rest of us. But this kind of high-stakes multiplayer camaraderie, sometimes lovingly referred to as "friendslop", isn't actually a factor in the games created by these developers. They all make single player stuff. That means their own games feel quite different.

Missed previous entries? Click here

"That sense of isolation adds a lot to the somber mood I think a lot of climbing games have," says Holly. "This game, you don't really feel it, because you're goofing off with three other people but... I think any of the games all of us have made you get this melancholy at points, as you look out over everything

Big Hops review: great veggie-powered movement before it gets lost in the weeds

There's still so few 3D platformers this good on PC

No genre is as unforgiving as the 3D platformer. It's not just that you inevitably invite comparisons to some of the best games ever made (all of them starring Mario). It's that the basic elements of the genre - precision platforming, expressive movement, a camera generous enough to show it all - are only ever an inch away from plunging the player into miserable frustration.

So it is with Big Hops, which is a hop, skip and a jump from Mario Odyssey and yet, in its worst moments, feels more like a big oops.

The Big Hops release trailer.

You play as Hop, a little green frog who lives in a forest with his mother and sister. Through an encounter with Diss, a kind of ambiguous trickster genie, he is whisked away to the void, a purple dimension of floating islands with topsy-turvy gravity reminiscent of Mario Galaxy. The void, in turn, connects to other worlds, and Hop must venture through a desert, tropical islands and deep mines to figure out Diss's motivation and collect parts for an airship (reminiscent of Mario Odyssey) that can take him home.

'There are basically no 3D platformers on PC that feel as good

Why I don't worry about AI game critics

It is because they would be idiots

AI can't do my job. It's annoying I even have to say it (for many of you, I probably don't, but let's get into it for those at the back). There's a huge amount of valid worry about AI and the ways it's replacing human work in our industry. It has hit the voice acting in extraction shooter Arc Raiders, and the textures in whatever the fuck inZOI is. One report showed that 1 in 5 new games on Steam use generative AI. A worrying trend whether you're an artist, actor, or programmer.

In games media, though, we haven't seen as much explicit uptake. The tech is wreaking havoc in other ways, but there are few who'll admit to actually using it to write reviews or news pieces. This might be a case of some writers hiding their use out of shame (it's proven to make you look incompetent and lazy) but I doubt it. I think a lot of us, having made careers out of analysing an endless flow of games, movies, books, and music, just understand a simple, reassuring truth: humans like human art.

An AI cannot review a game because an AI cannot play a game. And

Three game devs climb a mountain - part 2

"I would never do climbing for real"

In Peak, you reach out your hands to grab onto surfaces. Holding left click against a wall or a tree sees you climb, but your stamina bar will drain quickly. Thankfully, players can offer an arm to hoist up a fellow climber in a difficult spot. You'll need to boost and help each other out a lot to reach the summit. It's a good thing the three game developers I have roped into this horrendous jaunt seem to be good at working together.

"I think when you talk about climbing, you're talking about a very strenuous sort of activity," says Holly, plucking fruit from a shrub growing on the side of a cliff and pocketing it for a future snack. "You're talking about this very physical thing. And giving your player character a physical body that obeys some rules of reality helps the feeling of climbing become more real in a sense, right?"

Missed any of this series? Click here

Over the course of a climb in Peak, your stamina bar will become afflicted with all sorts of clutter that reduces how much energy you have - injuries, burns, sleepiness - all reducing how much

Three game devs climb a mountain

It's your turn to get over it, Foddy

"So, I assume the task is to climb that giant peak up there."

I look at the mountain and tell Bennett Foddy he is correct. The creator of Getting Over It and co-developer of Baby Steps has agreed to my unusual journalistic request. He must conquer a mountain in co-op climbing game Peak and answer my questions while doing it. And he won't be ascending alone. With us on the beach at the foot of this mountain are two other hardened developers of climbing games. Holly Jencka, lead developer of urban clambering sim White Knuckle. And Emeric Thoa, creative director of sci-fi alpine sim Cairn. They are currently rummaging through suitcases and collecting coconuts. I don't say it out loud but I have a strong feeling none of them will survive.

After messing about on the beach for a few minutes, I tell the trio they're "on their own". I'll be following, but mostly hanging back and asking questions. I want to see how three developers of climbing games will manage when faced with a mountain not of their own making. Maybe we'll uncover gems of game design wisdom along the way. Maybe we'll just plummet to our doom.

Three players stroll towards a twisting and rugged looking mountain.
Peak

The best games of the decade (so far)

Yes, we know it's not over yet

A list article is not how I imagined setting Jank up as a unique place to read about PC games. Everybody does lists. But the more we thought about it the more it made sense - we wanted a definitive rundown of our favourite games from recent years. We needed to offer you a taster menu.

This is not simply a list of cool games we reckon you ought to play, it's a way of telling you exactly who we are at Jank - what kind of sickos we are, and how to distinguish us from the other sickos. It's also a chance to stare one another down across a spreadsheet, sweating like three spaghetti western outlaws, chewing words in a tense standoff to see whether or not Balatro will make the cut. It does. [spits]

Our process was simple: we made a big raw list of all the games we liked even a little which were released between 2020 and now, and included many games that made an impact, even if we weren't that hot on them. This "shortlist" came to 172 games. From there, we cast votes. Any game with at least one vote from any of us

Sektori is a finely crafted adrenaline machine and I am a tiny baby

If I was a better person, maybe I’d want to play this brilliant shmup more.

Sektori is deeply unfashionable. It isn’t stacked with layer upon layer of meta-progression, unlocks, and permanent upgrades drip-fed to you incrementally over hours. Death does not send you back to a glowing neon house to fill with glowing neon furniture, or an entire neon village inhabited by sexy neon people who tell you about your sad neon backstory. 

It is, instead, pure videogame. Sektori is an arcade shmup in the (neon) vein of Robotron in which you are beset upon by (neon) shapes that kill you if they touch you. Death presents you with nothing more than a score and an invitation to try again.

The trailer alone gets my heart rate pumping.

That’s not to say it’s solely a retro throwback. That paragraph above also perfectly describes Geometry Wars, an obvious aesthetic inspiration, but Sektori has broader inspirations and plenty of ideas of its own. The arena changes shape during play. You have a dash move which destroys enemies, and which can be instantly recharged if you use it to collect tokens. There are four different types of token, which advance you along an upgrade track, or give you a temporary increase in fire rate,

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